Great video! Thanks for taking the time to make this. I learned so much here.
I'm still learning the dramaha games. I watched your 3 "how to play" videos and was unable to find any other content. An yes, shamefully, I was playing dramaha high for that round of dramadugi. Terrible, I know.
I have a really tough time figuring out where the line is in terms of sacrificing badugi equity for our omaha hand. A great example is the hand at 5:40; it never even occurred to me that keeping the jack rather than the ace was correct.
In the super stud 8 hands, I appreciated your discussion about my improper three bet at 41:50 and not turning our hand faceup in such a manner. I have learned so much from your analysis of these hands and will take these lessons to the tables.
Let me know if you ever want more footage, and hopefully my play will have improved a lot since this last video. Cheers!
16:38 table 2 we discard the t9 which is basically our only eq in omaha. Should we always look to strengthen our draw hand on the draw at the expense of any omaha eq?
26:00 so we should always keep the j high badugi? My first thought was to keep the aa42 as it is such a strong tri and then draw.
16:38, QQJT9, this is a tough question in general, and very hard to answer. Dramaha is quite a new game, there are no solvers out, but in general we want to get a "lock" on our high hand, so we definately want to focus more on our draw hand, rather than our omaha equity. And in this particular hand T9 doesnt add anything good to our hand. Yes it's a gutshot, but if you plan to keep it, it would be much better to keep QQ9:
-you have more outs to improve to trip queens
-and you still have a gutshot, but instead of T9, know your gutshot is in "your" hand. You can "improve" to QQ97, and then have a straight on 856 board for omaha.
26:00 There are some situations when we can be sure that J badugi is behind. These are also in general quite tought spots, when to break marginal/medium badugis in dramadugi. But here in this hand, as played J badugi is just way to strong. Also we have a smooth J badugi, with A24J, as played rarely have a better badugis and we are an underdog to improve from A24 with 1 drwa to go (if we keep AA24) to a better badugi. When we both have incompletes thats not a problem because we will still have the better 3card with A24, but villain can have a look ot of J/Q/K badugis that he probably keeps, once we just flat pre
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Correction:
47:50-50:45, stud8, right table, 782hhh:
For some reason i totally missed that hero made a flush on the river. So obviously is good/standard.
I apologize for the mistake.
Great video! Thanks for taking the time to make this. I learned so much here.
I'm still learning the dramaha games. I watched your 3 "how to play" videos and was unable to find any other content. An yes, shamefully, I was playing dramaha high for that round of dramadugi. Terrible, I know.
I have a really tough time figuring out where the line is in terms of sacrificing badugi equity for our omaha hand. A great example is the hand at 5:40; it never even occurred to me that keeping the jack rather than the ace was correct.
In the super stud 8 hands, I appreciated your discussion about my improper three bet at 41:50 and not turning our hand faceup in such a manner. I have learned so much from your analysis of these hands and will take these lessons to the tables.
Let me know if you ever want more footage, and hopefully my play will have improved a lot since this last video. Cheers!
Douglas
Excellent review.
16:38 table 2 we discard the t9 which is basically our only eq in omaha. Should we always look to strengthen our draw hand on the draw at the expense of any omaha eq?
26:00 so we should always keep the j high badugi? My first thought was to keep the aa42 as it is such a strong tri and then draw.
Thanks!
16:38, QQJT9, this is a tough question in general, and very hard to answer. Dramaha is quite a new game, there are no solvers out, but in general we want to get a "lock" on our high hand, so we definately want to focus more on our draw hand, rather than our omaha equity. And in this particular hand T9 doesnt add anything good to our hand. Yes it's a gutshot, but if you plan to keep it, it would be much better to keep QQ9:
-you have more outs to improve to trip queens
-and you still have a gutshot, but instead of T9, know your gutshot is in "your" hand. You can "improve" to QQ97, and then have a straight on 856 board for omaha.
26:00 There are some situations when we can be sure that J badugi is behind. These are also in general quite tought spots, when to break marginal/medium badugis in dramadugi. But here in this hand, as played J badugi is just way to strong. Also we have a smooth J badugi, with A24J, as played rarely have a better badugis and we are an underdog to improve from A24 with 1 drwa to go (if we keep AA24) to a better badugi. When we both have incompletes thats not a problem because we will still have the better 3card with A24, but villain can have a look ot of J/Q/K badugis that he probably keeps, once we just flat pre
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